From Hybridity of Cultural Production to Hyperreality of Post-feminism in K-pop: A Theoretical Reconsideration for Critical Approaches to Cultural Assemblages in Neoliberal Culture Industry

This paper evaluates a current discourse of cultural hybridity that is deployed to examine the global success of local popular culture from South Korea. Indicating the discourse is descriptive without retaining an explanatory merit, I propose an alternative perspective based on Jean Baudrillard’s no... View More