Abstract This paper examines the restoration of two black-light sculptures, Study for the Gates #14 (Clytemnestra from “Iphigenia in Aulis” by Euripedes) (1967) and Study for the Gates #15 (“a flock of morning birds” from “Iphigenia in Aulis” by Euripedes) (1967), by the artist Chryssa, as a case st...
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